Wednesday

Worpswede Art Colony


Worpswede IX Exhibition 1903
by Jan Preisler
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Today Hercynius asked me if I knew Worpswede Art Colony
and I could only say nooo, I don't...although it is so close to
Denmark: In Worpswede near Bremen. Of course I know a
lot of the artists who lived there...but thanks to Hercynius I
can make this post ...and I've learnt something new
today. Thanks Hercynius!!


Worpswede Art Colony was a colony of German artists
founded in 1897 in the village of Worpswede near Bremen. In
1889 the painters Fritz Mackensen, Otto Modersohn (1865-1943)
and Hans am Ende (1864–1918) moved to the village where they
painted in the 'plein-air' tradition of the Barbizon school. Others soon
followed; Paula Becker (who married Otto Modersohn) and in 1892
they were joined by Fritz Overbeck (1869–1909) and in 1894 by
Heinrich Vogeler (1872-1942). Writers and poets joined
Worpswede Art Colony, too. Gerhard Hauptmann,
Thomas Mann, and Rainer Maria Rilke and the
sculptor Clara Westhoff (married to Rilke)
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Standing: Otto Modersohn, Fritz Mackensen,
Heinrich Vogeler; sitting: Fritz Overbeck,
Hermann Allmers, Carl Vinnen, 1895
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'Buckwheat Field in Weyerberg' by Fritz Overbeck
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Fritz Overbeck: 'Self-Portrait'
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'Otto Modersohn
Sleeping', 1906-07
by Paula Modersohn-Becker
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by Heinrich Vogeler (1872-1942)
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The 'Barkenhoff' in Worpswede

In 1895 Heinrich Vogeler bought a cottage in Worpswede
and planted many birch trees around it, which gave the house
its new name: Barkenhoff (Low German for Birkenhof, literally
translated Birch-Tree-Cottage). It became the cultural centre
of the artistic scene of Worpswede
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Heinrich Vogeler, 1887


Otto Modersohn: 'Dorfstraße in Worpswede'
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Hans Am Ende: 'A Young Girl'
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Hans am Ende (1864–1918)
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Fritz Mackensen: 'Birkenallee', 1911
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Portrait of the poet Rainer Maria Rilke, 1906
by Paula Modersohn-Becker
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Carl Vinnen: Evening at the Moor'
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Worpsweder Käseglocke, created by the architect
Bruno Taut (1880-1938) in 1921 and built in 1926 by the
writer Edwin Koenemann. This small structure was given its
name because of its resemblance to a cheese cover. Since
2001 the 'Käseglocke' has been used as a museum
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Fritz Overbeck:
'A female Artist at the Easel'
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